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Made on Openart. Model used: Google Nano Banana 2.1
Prompt (ask your LLM to modify this prompt to suit your scene:
Transform the supplied photograph from a flat, ordinary smartphone snapshot into a striking, professionally colour-graded cinematic photograph. Make the visual difference immediately obvious while preserving the exact original scene and composition.
LIGHTING TRANSFORMATION:
Replace the dull, flat overcast appearance with beautiful late-afternoon sunlight entering from the side, as though the clouds have just parted. Create a clear direction of light, with warm sunlight illuminating the car’s upper surfaces, catching the edges of the tree leaves, and creating long, soft-edged shadows across the pavement. Introduce noticeable contrast between sunlit areas and shaded areas. Add subtle, realistic patches of sunlight across the road and nearby foliage. The light should feel atmospheric and dimensional, not artificially dramatic.
COLOUR TRANSFORMATION:
Give the foliage deep, lush forest greens with visible variation between sunlit yellow-green leaves and darker shaded greens. Change the dull grey sky into a clean, rich natural blue with a few soft, realistic clouds. Introduce warm golden highlights into the sunlight while keeping shadows neutral and slightly cool. Make the silver car’s paint look richer and more reflective, with realistic highlights and clear separation from the background. Deepen the darker tones and brighten the highlights to create a much stronger tonal range. The colours should feel rich, crisp, and premium without becoming oversaturated.
DEPTH AND PHOTOGRAPHIC QUALITY:
Create a more dimensional image with clearer separation between foreground, midground, and background through lighting and tonal contrast, not artificial blur. Improve fine detail in the leaves, car paint, road texture, and house facades. Give the image the polished clarity and dynamic range of a high-quality iPhone 16 Pro photograph captured in beautiful natural light, followed by professional cinematic colour grading.
IMPORTANT — PRESERVE THE ORIGINAL:
Keep the exact same street, car, car position, houses, trees, branches, pavement, camera angle, perspective, and framing. Do not add, remove, replace, or rearrange objects. Do not change the car’s design or colour. Do not invent new architecture or vegetation. Only transform the lighting, atmosphere, tonal range, and colour grade.
The final result must have a clearly visible before-and-after difference even when viewed quickly on a phone screen. Photorealistic photography, rich natural colours, directional sunlight, dimensional shadows, refined contrast, realistic materials. No orange colour cast, no excessive HDR, no artificial sunbeams, no glowing outlines, no exaggerated lens flare, no teal-and-orange movie filter, no fantasy effects, no text, no watermark.
Made on Openart. Model used: Google Nano Banana 2.1
Prompts:
Create a photorealistic luxury advertising photograph of an extraordinary perfume bottle standing alone in a vast black-sand desert. The bottle is monumental yet elegantly proportioned, made from thick, translucent smoky-amber glass with sculptural curved shoulders, a heavy crystal base, and a beautifully machined brushed-champagne-metal cap. Inside the bottle, a miniature golden sandstorm appears suspended in midair, with delicate spirals of fine sand illuminated as if they contain their own tiny source of sunlight. The effect should look physically impossible but visually convincing, as though this object genuinely exists.
The composition is bold and instantly readable: the bottle occupies approximately 65% of the frame, centred slightly below the middle, with generous dark negative space above it. Low dunes stretch into the distance beneath a muted charcoal sky. A narrow beam of warm late-afternoon light strikes the glass from the side, creating realistic refraction, subtle caustics, and long, soft-edged shadows across the sand. Restrained palette of deep black, smoky amber, and muted gold. Shot like a world-class luxury fragrance campaign using a medium-format camera, precise product focus, exquisite material detail, natural atmospheric depth, sophisticated contrast, and impeccable art direction. Surreal in concept, realistic in execution. No people, no extra products, no typography, no lettering, no logos, no watermark. Vertical 4:5 composition.
Create a photorealistic luxury fashion advertising photograph featuring a single extraordinary handbag displayed on a dark travertine pedestal. The handbag has the silhouette of a timeless structured top-handle designer bag, crafted from rich oxblood leather with fine natural grain, immaculate stitching, polished brass hardware, and a slightly open top. Inside the bag is an impossibly detailed miniature modern city: tiny illuminated skyscrapers, narrow streets, little rooftop gardens, and warm apartment windows, all physically contained within the bag’s interior. The miniature city should feel like a real architectural model photographed at extreme precision, not a glowing hologram or a floating digital projection.
The city is visible through the opening of the bag, with a few tiny buildings rising just above the rim while remaining connected to the miniature streets below. The bag itself remains the unmistakable hero product. Use a three-quarter camera angle at approximately bag height, allowing the viewer to appreciate both the leather craftsmanship and the miniature world within. A large soft studio light from the upper left creates gentle highlights on the leather and believable reflections on the hardware. The background is a warm, dark burgundy-brown gradient with subtle architectural shadows. High-end fashion campaign photography, realistic scale cues, physically plausible contact shadows, exquisite leather texture, restrained colour grading, and editorial-level composition. The impossible element should feel tangible and carefully engineered. No people, no hands, no additional bags, no text, no letters, no logos, no watermark. Vertical 4:5 composition.
Create an exceptionally realistic luxury horology advertising photograph of a one-of-a-kind mechanical wristwatch resting at a slight angle on a block of dark, wet volcanic stone. The watch has a precisely machined platinum case, a deep midnight-blue dial, finely brushed metal surfaces, a sculptural crown, and an understated dark navy leather strap. Instead of a conventional watch dial, the face contains a miniature three-dimensional ocean beneath a perfectly clear domed sapphire crystal. Tiny turquoise waves curl and break around miniature dark rocks, with a single tiny white sailing boat navigating the water. The ocean is contained entirely within the circular watch face, with realistic depth, believable water refraction, and subtle highlights along the wave crests. It must resemble a physical luxury watch with an extraordinary engineered complication, not a miniature landscape pasted onto a flat dial.
Photograph from a close three-quarter macro angle, with the watch filling approximately 70% of the frame. Cool directional light grazes the platinum case while a narrow warm reflection adds contrast to the sapphire crystal. The volcanic stone is textured and slightly damp, with a few realistic droplets near the watch. Background falls naturally out of focus without excessive artificial blur. Deep ocean blue, muted silver, charcoal, and restrained turquoise. Premium Swiss watch campaign aesthetic, extreme mechanical and material detail, realistic optics, crisp engraving-like precision without readable markings, and controlled cinematic contrast. No extra watches, no people, no text, no numerals, no logos, no watermark. Vertical 4:5 composition.
Create a photorealistic luxury botanical fragrance campaign featuring a single sculptural perfume bottle made from thick, crystal-clear glass. The bottle has a softly rounded rectangular silhouette, elegantly curved edges, a heavy transparent base, and a pale champagne-gold cap with fine brushed-metal detailing. Inside the bottle grows a miniature living tropical garden: tiny emerald-green ferns, delicate moss, miniature white orchids, and a narrow ribbon of clear water flowing between tiny stones. A few delicate roots are visible through the glass near the base. The miniature plants must appear physically rooted inside the bottle, with believable botanical structures, natural variation, and realistic condensation on the interior glass. The garden feels like a rare botanical specimen preserved in a luxury object, not a magical glowing forest.
Set the bottle on a pale limestone surface beside a softly lit window. Early morning sunlight passes through the glass and illuminates the leaves, producing subtle natural refraction and delicate leaf-shaped shadows across the stone. The background is an understated warm ivory studio with a hint of soft green reflected light. Compose the bottle centrally with ample breathing room and a slightly low camera angle that gives it presence. Premium niche-perfumery campaign, immaculate product styling, true-to-life glass thickness, physically believable reflections, detailed foliage, restrained colour palette of clear glass, sage green, ivory, and pale gold. Serene, expensive, and quietly extraordinary. No people, no flowers scattered around the bottle, no additional products, no text, no lettering, no logos, no watermark. Vertical 4:5 composition.
Create a photorealistic high-end conceptual footwear advertising photograph of a single futuristic luxury sneaker displayed on a low, matte-black sculptural pedestal. The sneaker has a believable contemporary running-shoe silhouette with carefully engineered proportions, a layered sole, curved panels, a defined heel, and realistic laces. Its upper is constructed from transparent, precision-cut optical crystal and translucent glass-like material, while selected sections of the midsole appear to contain clear liquid water frozen in motion. Tiny suspended air bubbles and subtle ripples are visible inside the transparent sole. Delicate streams of water seem to flow around a few sections of the shoe’s structure, then merge seamlessly back into the translucent material. The result should look like an extraordinary physical prototype from a luxury design studio, not a melting shoe, a liquid blob, or a cartoon rendering.
Present the sneaker in a dynamic three-quarter side view, floating just a few centimetres above the pedestal, with a realistic soft shadow directly beneath it to establish its position. A large cool-white studio source creates clean highlights and crisp internal refractions in the crystal. A subtle pale-blue rim light separates the transparent silhouette from a deep graphite background. Every panel, lace, eyelet, and structural element must remain clearly defined and physically coherent. Restrained colour palette of crystal-clear material, silver, pale ice blue, and charcoal. Premium industrial-design campaign, extreme material realism, sophisticated studio lighting, sharp product detail, flawless but believable art direction. No brand marks, no extra shoes, no people, no text, no lettering, no watermark. Vertical 4:5 composition.
Create a photorealistic luxury eyewear advertising photograph of a single pair of sculptural sunglasses resting on a smooth, pale sandstone surface. The frame is made from translucent dark tortoiseshell acetate with refined curves, slim temples, and subtle champagne-metal hinges. The lenses are the extraordinary feature: each lens contains a convincing miniature sunset landscape, with a low orange sun hovering above a distant ocean horizon, delicate layers of dusty rose and muted violet clouds, and a thin line of reflected light on the water. The sunset appears suspended within the depth of the tinted lenses, as if each lens were a tiny window into a different world. The scene should follow the curvature of the lenses with realistic optical distortion, reflections, and depth, while the sunglasses remain recognisably a beautifully crafted physical product.
Photograph from a slightly elevated three-quarter angle, with the sunglasses occupying the central two-thirds of the composition. Warm late-afternoon light grazes the sandstone, creating long, soft shadows. The background remains minimal and softly textured, in muted beige and warm grey. Keep the frame and hinges sharply detailed, with realistic acetate translucency, subtle lens reflections, and accurate contact shadows. The sunset colours are rich but restrained, never neon or oversaturated. Sophisticated luxury eyewear campaign, refined editorial styling, believable optical materials, precise craftsmanship, and an unexpected visual idea executed with photographic realism. No people, no faces, no extra glasses, no text, no lettering, no logos, no watermark. Vertical 4:5 composition.
Made on Openart. Model used: Google Nano Banana 2.1
Prompt for creating the model:
A casual, candid iPhone travel photograph of a 28-year-old woman with shoulder-length dark brown hair, caught mid-step while exploring a quiet, narrow side street in Lisbon, Portugal. She is wearing a slightly oversized cream linen shirt, relaxed blue jeans, and a simple brown leather shoulder bag. She has turned her head slightly toward the camera with a spontaneous, almost distracted expression, as if a friend walking beside her took the photo without asking her to pose. Her hair is a little windswept, and a few loose strands fall naturally across her cheek. Behind her are softly weathered pale-yellow building facades, old wooden window frames, subtle patches of peeling paint, and uneven stone pavement. The street feels lived-in and unremarkable rather than like a tourist postcard.
Photographed at approximately chest height with a modern smartphone’s main camera, using natural late-afternoon daylight softened by the surrounding buildings. Realistic exposure with slightly muted colors, gentle contrast, ordinary natural shadows, and no dramatic cinematic color grading. The composition is casually imperfect, with the woman slightly off-center, a little space above her head, and enough background visible to establish the location. Natural-looking skin with visible pores and subtle texture, realistic facial proportions, fine individual hair strands, believable fabric creases, and authentic smartphone-camera detail. The image should feel like an ordinary travel photo someone took while walking around with a friend, not a professional photoshoot, fashion campaign, or AI-generated portrait. No beauty filter, no excessive skin smoothing, no artificial background blur, no exaggerated colors, no text, no watermark. Vertical 9:16 composition.
Made on Pixverse. Model used: Google Nano Banana 2.1
Prompts:
A striking nighttime street photograph captured from an extremely low angle with an 8mm fisheye lens, featuring a young Japanese street-fashion woman in a bold oversized red leather jacket, black mini skirt, and chunky silver boots, standing confidently in the middle of a narrow Tokyo nightlife alley. She holds a transparent umbrella tilted toward the camera, making the umbrella dome appear enormous in the foreground while her figure and the glowing alley recede dramatically behind it. Towering neon signs, vending machines, tangled overhead cables, tiny ramen shop entrances, and wet pavement covered in vivid reflections curve dramatically around the edges of the frame. The fisheye distortion is unmistakable: pronounced barrel curvature, exaggerated near-to-far perspective, bulging architectural lines, and an immersive circular-world sensation, while the woman’s face remains recognizable and naturally proportioned. A passing taxi creates a subtle streak of motion in the distant background. Rich crimson, electric cyan, and amber neon reflections contrast against deep midnight shadows. Direct on-camera flash illuminates the woman and umbrella, creating the candid, gritty energy of an underground Tokyo street-fashion editorial shot on film. Realistic skin texture, natural fabric creases, believable reflections, imperfect street details, fine film grain, sharp central subject, authentic photographic imperfections. Visually daring, editorial, cinematic yet believable — not a 3D render, not illustration. Vertical 9:16 composition.
A dramatic, photorealistic street-fashion photograph shot from almost ground level with an ultra-wide 14mm lens, looking sharply upward at a stylish young Black woman standing on a rain-soaked rooftop helipad between towering skyscrapers in Hong Kong. She wears a sculptural oversized charcoal trench coat, a fitted black outfit, and chunky polished boots, with wind whipping the coat dramatically around her legs. One boot is planted on a shallow puddle just inches from the camera, appearing enormous in the foreground, with tiny water droplets suspended in the air from a recent step. Her figure rises powerfully toward the center of the frame as glass skyscrapers lean inward overhead, converging toward a narrow slice of stormy sky. The city feels monumental, almost impossibly tall, while the woman looks composed and defiant against the architecture. A break in the storm sends a blade of warm sunset light between the buildings, illuminating airborne rain and catching the edges of her coat, while cool steel-blue shadows dominate the scene. Strong natural perspective exaggeration, dramatic vertical lines, realistic wide-angle optical distortion, rich wet-surface textures, subtle film grain, authentic skin detail, crisp fabric stitching, believable reflections, and the spontaneous intensity of a high-end fashion editorial photographed in a real city. The camera is nearly touching the rooftop, tilted steeply upward; the low viewpoint must be immediately obvious. No aerial view, no eye-level framing, no miniature effect, no illustration. Vertical 9:16 composition.
A surreal yet photorealistic fashion photograph inside a luxurious black-marble chamber lined with floor-to-ceiling mirrors, featuring a glamorous woman in a sculptural silver evening gown standing alone beneath a single suspended crystal chandelier. Her reflection repeats into an apparently endless corridor of identical reflections, each becoming smaller and darker in the distance. The polished black floor mirrors the chandelier and gown, creating a second axis of visual repetition. One narrow beam of white light cuts through faint atmospheric haze, catching the metallic texture of the fabric and producing tiny highlights across the mirrors. The composition is perfectly symmetrical at first glance, but subtle differences in light and perspective make the space feel disorienting and impossible. Deep blacks, cool silver tones, restrained highlights, realistic glass reflections, intricate fabric detail, natural skin texture, elegant editorial photography, shot on a medium-format camera. The reflections must obey believable mirror geometry, with no random extra people, distorted faces, or nonsensical limbs. Vertical 9:16 composition.
A cinematic, photorealistic photograph inside a vast old-fashioned bank vault at midnight, featuring the same stylish woman appearing six times throughout one continuous scene. She wears a fitted black tactical-inspired fashion outfit, a long dark coat, and sleek boots. One version crouches beside an enormous circular vault door, another studies a blueprint on a steel table, two others exchange a mysterious briefcase, one stands watch near the elevator, and the final version is reflected in the polished metal wall. Every version has the exact same face, hairstyle, clothing, and body proportions, but each occupies a different believable position and performs a distinct action. Warm tungsten lights contrast with cool blue emergency lights, reflecting across brushed steel, brass locking mechanisms, and polished stone floors. Carefully layered depth, cinematic framing, realistic contact shadows, consistent facial identity, natural anatomy, crisp material textures, subtle 35mm film grain, sophisticated crime-thriller atmosphere. All six figures must be clearly distinguishable and physically integrated into the same environment, with no accidental duplicates overlapping or extra limbs. Vertical 9:16 composition.
A breathtaking photorealistic night photograph of a lone female explorer standing inside an abandoned stone observatory in the Scottish Highlands. She wears a weathered expedition jacket, hiking trousers, and mud-streaked boots, holding an old brass lantern in one hand. In the center of the ruined circular chamber stands a freestanding ornate stone doorway, its interior opening onto an impossible alien coastline beneath two enormous moons. Beyond the portal, luminous turquoise waves crash against black volcanic cliffs under a violet star-filled sky, while windblown grass and drifting mist fill the real-world side of the chamber. The portal casts a subtle blue glow onto the explorer’s face, nearby stonework, and damp floor, creating a convincing interaction between both environments. Ancient carved stone, realistic water, atmospheric depth, intricate mineral textures, restrained cinematic lighting, and a strong contrast between the cold Highland night and the otherworldly world beyond. The doorway must read as a real physical opening into a second environment, not a flat glowing screen. Photorealistic fantasy-film still, no illustration or cartoon aesthetic. Vertical 9:16 composition.
A surreal but convincingly photographed fashion editorial on a deserted Mediterranean coastal road at sunrise, featuring a young man in a butter-yellow suit standing beside an enormous glossy red cherry approximately the size of a compact car. The cherry rests directly on the asphalt, with its curved green stem rising above the man’s head. He casually leans against the giant fruit with one hand in his pocket, looking toward the ocean as though this extraordinary object were perfectly normal. The road winds between pale limestone cliffs, with the deep blue sea sparkling in the distance. Low morning sunlight creates a sharp highlight across the cherry’s taut red skin and a long, physically believable shadow beneath its enormous weight. Tiny road cracks, scattered leaves, realistic suit fabric, subtle surface imperfections, accurate scale cues, natural reflections, and restrained editorial color grading make the absurd scale feel tangible. Wide-angle composition with the cherry dominating the foreground and the man providing a clear size reference. Photorealistic advertising campaign, whimsical but not cartoonish, no floating object, no toy-like texture. Vertical 9:16 composition.
An electrifying sports photograph inside a packed underground basketball court, capturing a young female basketball player at the exact instant she leaps toward the hoop for a spectacular reverse dunk. Her body, face, hands, jersey, and basketball are tack-sharp and frozen in midair, while the surrounding players, spectators, and overhead lights streak into directional motion blur. Her braided hair lifts naturally with the movement, the loose fabric of her jersey ripples in the air, and sweat droplets are suspended around her shoulders. The camera is positioned just below the backboard, looking upward so the orange basketball looms dramatically in the foreground. Harsh arena spotlights cut through faint chalk-like dust, while deep shadows and warm skin tones create a gritty sports-documentary look. Fast-shutter subject detail combined with controlled background panning, authentic anatomy, believable athletic movement, realistic court markings, subtle high-ISO grain, high-impact editorial photography. The player and ball remain sharply defined; the blur belongs to the environment and movement trails only. No supernatural glow, no illustrated effects. Vertical 9:16 composition.
A cinematic nighttime automotive photograph of a midnight-blue supercar parked outside a futuristic luxury hotel in downtown Seoul during light rain. The camera sits extremely low near the front bumper, capturing the sculpted hood, sharp LED headlights, water beads on the paint, and reflections of illuminated skyscrapers in the bodywork. Strong horizontal anamorphic light streaks extend from the headlights and bright signs across the frame, stretching almost edge to edge in cool cyan and restrained amber. A sharply dressed woman in a long black coat stands beside the driver’s door, partly illuminated by the hotel entrance. The street is glossy with rain, reflecting long ribbons of neon color without becoming oversaturated. Subtle oval bokeh, cinematic wide-screen lens character within a vertical composition, realistic optical flares, deep blacks, refined contrast, accurate vehicle proportions, physically believable reflections, and polished luxury-campaign photography. The streaks must appear to originate from actual bright lights, not random glowing lines pasted across the image. No excessive bloom, no fantasy vehicle design, no 3D-render appearance. Vertical 9:16 composition.
A dramatic long-exposure photograph from an elevated pedestrian bridge above a bustling Bangkok intersection at blue hour. A stylish young woman in a flowing cobalt-blue dress stands perfectly still near the railing, her face and clothing crisp against a river of red and white vehicle light trails sweeping through the roads below. The trails bend around the intersection in graceful ribbons, converging toward a skyline of illuminated towers, while tuk-tuks and buses dissolve into subtle streaks of color. Giant digital billboards cast magenta and turquoise reflections onto the damp road, and distant office windows glow against the deep indigo sky. The woman holds a small black umbrella loosely at her side, her dress moving gently in the evening breeze. Realistic long-exposure light behavior, sharp stationary architecture, fluid but coherent traffic trails, natural city haze, accurate scale, detailed urban textures, sophisticated night photography, restrained film grain. The scene should feel like a real photograph captured with a tripod and a long shutter speed, not a digitally painted city. Vertical 9:16 composition.
An extraordinary macro-style photograph of a lavish breakfast table transformed into a miniature landscape, where tiny human figures explore an enormous stack of golden pancakes as if climbing a mountain. Miniature mountaineers in colorful outdoor gear scale the ridges of the pancakes using delicate ropes, while tiny workers operate a miniature crane beside a glistening river of maple syrup. A few figures stand on a giant strawberry, surveying the table like a dramatic alpine summit. Powdered sugar falls through the sunlight like fresh snow, butter melts across the pancake surface, and a blueberry appears as a huge rounded boulder in the foreground. The surrounding ceramic plate, silver fork, linen napkin, and coffee cup provide unmistakable real-world scale references. Extremely detailed food textures, realistic syrup viscosity, tiny fabric and rope details, shallow depth of field, macro-lens bokeh, warm morning window light, whimsical miniature-set photography. The figures must look like tiny real people photographed in a physical miniature scene, not cartoon characters. Vertical 9:16 composition.
A visually striking photorealistic photograph of a lone woman standing in the middle of a deserted city intersection, with the entire scene divided vertically into two contrasting realities along a perfectly straight boundary passing through the center of her body. On the left side, the city is a sun-drenched summer afternoon, filled with leafy green trees, warm limestone buildings, soft golden sunlight, and long natural shadows. On the right side, the exact same street has transformed into a cold winter night, with snow-covered sidewalks, icy glass towers, blue moonlight, and fine snow drifting through the air. The woman remains in exactly the same pose across both halves, wearing an outfit that transitions naturally from a cream summer trench on the warm side to a dark winter coat on the cold side, meeting precisely at the dividing line. Buildings, road markings, and street furniture align seamlessly across the split, making the contrast immediately readable. Realistic seasonal textures, consistent perspective, cinematic color contrast, detailed pavement, natural lighting on each side. The split is clean and intentional, not a glitch effect. Vertical 9:16 composition.
A mind-bending yet photorealistic architectural photograph inside a grand luxury hotel atrium inspired by impossible geometric structures. Sweeping marble staircases rise along the walls, curve across the ceiling, and appear to reconnect with themselves in ways that defy ordinary gravity. A sharply dressed woman in a long emerald-green gown stands on a narrow landing in the center of the composition, looking upward at a staircase that seems to turn upside down overhead. Brass handrails, geometric floor tiles, enormous arched windows, and hanging crystal chandeliers repeat throughout the space, providing realistic architectural detail even as the overall structure becomes impossible. Golden afternoon sunlight streams through the windows, creating believable highlights and long shadows across the marble, while subtle reflections add depth to the polished surfaces. The impossible geometry should be readable at a glance, with carefully aligned edges and coherent local perspective, as if a real hotel had been constructed according to impossible mathematical rules. Ultra-detailed architectural photography, realistic materials, sophisticated color palette, precise composition, natural lens behavior, no melting walls, no random floating furniture, no cartoon or obvious CGI aesthetic. Vertical 9:16 composition.
Made on Pixverse and Higgsfield. Model used: Google Nano Banana 2.1 and Higgsfield Soul
Prompts
A candid street photograph of a young Japanese woman walking alone down a narrow Tokyo backstreet on a rainy evening, holding a transparent umbrella. She wears an oversized charcoal trench coat, a simple white top, loose dark trousers, and worn black leather shoes. Red paper lanterns hang outside tiny ramen shops, vending machines glow against damp concrete walls, and rainwater reflects scattered red, amber, and cool blue lights across the pavement. She is captured mid-stride, looking slightly away from the camera, with a natural unposed expression. Shot from across the street on a 35mm lens, subtle motion blur in passing pedestrians, realistic wet hair and fabric, imperfect framing, authentic urban atmosphere, restrained film grain, natural color, documentary-style photography. No futuristic cyberpunk elements, no exaggerated neon, no illustration, no text, no watermark. Vertical 4:5 composition.
A high-fashion editorial photograph of a woman standing on the crest of a vast desert dune, wearing an avant-garde sculptural cream-colored gown with long flowing fabric panels caught dramatically by the wind. Her dark hair is slicked back, her makeup is minimal, and her expression is calm and powerful. Fine sand moves across the foreground while distant dunes form elegant sweeping curves behind her. Low late-afternoon sunlight creates long shadows and warm highlights across the fabric, with muted sand, ivory, and soft brown tones. Shot from a low angle on an 85mm portrait lens, precise fabric detail, realistic skin texture, natural wind movement, sophisticated magazine art direction, restrained color grading, dramatic but believable photography. No fantasy elements, no extra limbs, no CGI appearance, no text, no watermark. Vertical 4:5 composition.
A photorealistic cinematic portrait of a young woman standing beneath enormous ancient trees in a dense, misty rainforest. She wears a weathered olive-green field jacket, a cream knit sweater, dark hiking trousers, and muddy leather boots, with a worn canvas backpack slung over one shoulder. One hand brushes against the thick moss covering a tree trunk as she looks into the foggy forest with a quiet, curious expression. Giant tree roots twist across the ground, ferns crowd the narrow path, and tiny water droplets cling to leaves. Soft overcast morning light filters through the canopy, creating subtle atmospheric depth. Shot from a slightly low angle on a 35mm lens, natural skin texture, believable clothing wear, detailed moss and bark, muted forest greens, earthy browns, and understated documentary photography. The scene should feel like a genuine travel photograph, not fantasy concept art. No magical glowing plants, no exaggerated color, no text, no watermark. Vertical 4:5 composition.
An ethereal underwater fashion photograph of a woman floating weightlessly several feet beneath the surface of a clear turquoise swimming pool. She wears a simple flowing white dress whose lightweight fabric spreads naturally around her body in soft folds. Her eyes are gently closed, her hair drifts upward in delicate strands, and one hand reaches loosely toward the rippling surface. Sunlight creates intricate moving caustic patterns across her skin, dress, and the pale blue pool floor. Tiny air bubbles rise around her. Captured from underwater at a slightly upward angle, realistic water refraction, natural body proportions, believable fabric movement, delicate highlights, soft shadows, elegant composition, fine-art photography with lifelike detail. No mermaid features, no fantasy accessories, no distorted anatomy, no artificial glow, no text, no watermark. Vertical 4:5 composition.
A surreal yet photorealistic street photograph of a young man standing beside a gigantic glossy red apple in the middle of an ordinary quiet suburban street. The apple is approximately the size of a small car, with naturally varied red and golden skin, subtle pores, a short brown stem, and tiny water droplets. The man wears a simple faded grey T-shirt, relaxed blue jeans, and worn white sneakers. He stands with one hand resting against the enormous apple, looking up at it with an expression of amused disbelief. Modest houses, parked cars, pavement markings, and ordinary street trees establish the familiar scale of the neighborhood. Soft cloudy daylight, realistic contact shadows beneath the apple and the man’s shoes, accurate reflections, believable scale relationships, eye-level 35mm photography, restrained colors, and natural atmospheric perspective. The scene should look like a photograph of an impossible event, not a 3D advertisement or cartoon. No floating objects, no distorted hands, no extra limbs, no text, no watermark. Vertical 4:5 composition.
A breathtaking photorealistic fashion photograph of a woman standing on the cantilevered glass viewing deck of a contemporary architectural glasshouse built above a lush tropical jungle. She wears a sculptural charcoal-grey outfit with a long flowing skirt, minimalist black boots, and a sleek low bun. One hand rests lightly against the glass railing while she looks across the misty valley. The glasshouse features elegant curved walls, slim dark metal frames, and subtle warm interior lighting. Dense rainforest stretches into the distance beneath layers of morning mist, while a tall waterfall descends through the valley far below. Reflections of trees and clouds appear naturally across the glass panels. Captured from a slightly elevated three-quarter angle using a 35mm lens, realistic skin and fabric textures, believable architecture, natural greens, cool mist, soft golden sunlight, and refined luxury travel-editorial photography. The architecture should feel innovative but structurally plausible. No floating buildings, no science-fiction city, no excessive glowing effects, no illustration, no text, no watermark. Vertical 4:5 composition.
Made on Pixverse. Model used: Google Nano Banana 2.1
Use this prompt, or put it into your LLM to change the scene to cafe, streets etc:
REAL PERSON + 3D CARTOON DOUBLE
Use the uploaded photograph as the primary and authoritative reference for the person’s identity. Create a high-quality, photorealistic scene featuring the real person standing beside a stylized 3D animated cartoon version of themselves.
1. CRITICAL: FACIAL IDENTITY MATCH
The cartoon must look unmistakably like the exact same person in the reference photo, not a generic cartoon character with similar hair and clothing. Study the reference face carefully and translate its distinctive characteristics into a stylized 3D character.
Preserve the person’s actual facial structure, overall face shape, forehead, hairline, eyebrow shape and spacing, eye shape and distance between the eyes, nose bridge and tip, nostril shape, lip shape, mouth width, smile, cheekbones, jawline, chin, ears, skin tone, and any distinguishing features. Retain recognizable details such as freckles, dimples, facial hair, glasses, or other visible characteristics when present.
Do not substitute generic oversized anime eyes, a generic button nose, or a standard cute cartoon smile. The cartoon’s facial features must be derived from the actual reference face. Stylize the person’s real features rather than inventing a new face.
2. THE 3D CARTOON CHARACTER
Transform the same person into a charming, premium-quality 3D animated character with a disproportionately large head, compact miniature body, expressive eyes, subtly simplified facial features, and softly rounded forms. Use the polished visual language of a high-end animated feature film.
The character should retain the person’s real facial identity despite the stylization. The eyes may be slightly larger, the cheeks softer, and the head-to-body ratio more exaggerated, but the underlying facial structure and recognizable features must remain consistent with the reference.
Reproduce the person’s hairstyle, hair color, clothing, accessories, tattoos, and distinctive outfit details as accurately as possible. Preserve clothing colors, patterns, logos, and material characteristics wherever visible. Render individual hair strands, convincing fabric folds, detailed shoes, and realistic 3D materials.
3. THE REAL PERSON
Keep the original person fully photorealistic, with natural skin texture, realistic hair, accurate anatomy, and authentic photographic detail. Preserve their recognizable appearance and original outfit. Their pose may be adjusted to suit the scene, but they must remain the same individual.
4. COMPOSITION
Show the real person and their cartoon counterpart together in the same physical environment. Position them side by side, both clearly visible, with the cartoon character noticeably shorter and featuring an oversized head and miniature body.
Give them relaxed, complementary poses that make the pairing feel playful and natural. Both should be facing generally toward the camera, with expressions that suit the person’s character. Maintain realistic perspective, correct proportions, and natural contact shadows.
5. LIGHTING AND FINISH
Use professional photographic lighting for the real person and matching illumination for the 3D character. Maintain consistent light direction, shadow softness, color temperature, and reflections across both subjects. Render the cartoon with detailed skin shading, glossy but believable eyes, refined textures, and premium 3D animation quality.
6. STRICT NEGATIVE CONSTRAINTS
No generic cartoon face. No unrelated character. No random changes to facial features. No different hairstyle or outfit. No extra people. No duplicate real person. No distorted anatomy, extra fingers, floating feet, mismatched lighting, plastic-looking real skin, flat illustration, low-quality CGI, text, watermarks, picture-in-picture, inset photos, borders, or collage layouts.
Final result: a believable studio-quality photograph of a real person posing beside a beautifully rendered 3D cartoon version of themselves, with exceptionally strong facial resemblance between the two.
Made on OpenArt. Model used: Google Nano Banana Pro
Use this prompt, and don’t forget to change the variables:
THE LEVITATION COUTURE PROMPT TEMPLATE
Create a hyper-realistic cinematic fashion photograph of an adult woman levitating weightlessly in an infinite pitch-black void.
1. CHARACTER
A striking woman in her [AGE RANGE] with [SKIN TONE], [FACIAL FEATURES], and [HAIRSTYLE AND COLOR]. Her expression is [EXPRESSION], conveying [EMOTION OR PERSONALITY].
2. POSE & MOVEMENT
Her entire body floats in a [BODY ORIENTATION: diagonal / horizontal / inverted / curled / upright] position. Her torso [TORSO POSITION], while her head [HEAD POSITION AND GAZE]. One arm [FIRST ARM POSITION], while the other [SECOND ARM POSITION]. Her legs form [LEG POSITION], with both bare feet naturally relaxed. Her pose feels like a frozen moment from an impossible gravity-defying dance, with believable anatomy and natural joint positions.
3. OUTRAGEOUS COUTURE OUTFIT
She wears an extravagant avant-garde couture creation inspired by [FASHION CONCEPT OR INSPIRATION].
The outfit features [MAIN GARMENT], constructed from [PRIMARY MATERIALS] with [EXAGGERATED SILHOUETTE OR SCULPTURAL ELEMENTS]. Incorporate [UNEXPECTED DESIGN DETAIL], [SECONDARY DESIGN DETAIL], and [ACCESSORIES OR HEADPIECE].
The silhouette should be spectacular, unconventional, and immediately recognizable, with oversized architectural shapes, dramatic extensions, and intricate material details. Every element should feel deliberately designed as high-fashion couture rather than an ordinary outfit or a generic fantasy costume.
4. COLOR PALETTE
Use a controlled palette of [PRIMARY COLOR], [SECONDARY COLOR], and [ACCENT COLOR]. The colors should create a striking contrast against the pure black background. Preserve realistic material properties, subtle tonal variation, and natural skin tones.
5. ENVIRONMENT & LIGHTING
Place the subject in a completely pitch-black minimalist studio with no visible floor, walls, furniture, or horizon. Add subtle atmospheric haze around the figure.
A single powerful overhead spotlight shines directly down onto the subject, illuminating her face, shoulders, and upper body. Visible volumetric light rays descend through the haze. The lower body gradually falls into deep charcoal shadows. Reflective materials catch precise highlights, while translucent fabrics glow softly along their edges. Maintain realistic light falloff, physically believable shadows, and dramatic contrast.
6. CAMERA & COMPOSITION
Use a slightly low camera angle looking upward at the levitating subject. Capture her full body in a dynamic, carefully composed frame, with generous black negative space surrounding the silhouette. Keep the head, limbs, bare feet, and major extensions of the outfit within the frame.
Vertical 3:4 aspect ratio, realistic optical depth, exceptional fabric and material detail, natural skin texture, individual hair strands, subtle film grain, and the tonal depth of premium cinematic fashion photography.
7. FINAL AESTHETIC
The image should resemble a high-end experimental fashion editorial combined with surreal fine-art photography. The mood is [MOOD: ethereal / ominous / rebellious / regal / mysterious / otherworldly].
Prioritize photorealism, believable anatomy, physically convincing materials, dramatic composition, and a visually unforgettable silhouette.
Avoid cartoon aesthetics, obvious CGI, plastic skin, distorted anatomy, extra limbs or fingers, duplicated body parts, visible support wires, visible platforms, artificial glowing skin, text, logos, and watermarks.
Made on OpenArt. Model used: Google Nano Banana 2.1
Prompt to make objects gigantic:
Transform the photograph into a convincing oversized-object illusion by dramatically increasing the scale of the item or items the person is physically holding.
OBJECT IDENTIFICATION AND SELECTION
Determine which object is actively gripped by each hand. Apply the enlargement only to those objects. If the person holds one item, enlarge that item alone. If they hold two separate items, enlarge both. If both hands are holding the same item, treat it as one object and enlarge it around the existing two-handed grip. An empty hand must remain empty. Do not enlarge accessories worn on the body or objects merely resting nearby.
SCALE AND SHAPE
Make each selected object dramatically oversized, aiming for a height comparable to the distance between the person’s shoulders and hips. It should appear substantially larger than the person’s head. Use the lower end of this scale for already bulky items and the upper end for small items such as cups, cans, phones, bottles, and sunglasses. When enlarging two separate items, give them slightly different dimensions to create a balanced, asymmetrical composition.
Increase the object’s dimensions uniformly. Preserve its original proportions, silhouette, construction, colors, textures, materials, and any visible printed designs or labels. Do not redesign, substitute, or invent branding. Any newly exposed surface that cannot be seen in the source photograph must remain plain and consistent with the object’s existing material.
PRESERVE THE ORIGINAL HANDS AND GRIP
The person’s hands are fixed reference points and must remain exactly as photographed. Preserve their original size, position, shape, finger arrangement, and orientation. Do not regenerate, enlarge, move, or reposition the hands or arms.
Expand the object outward from the precise points where the fingers already make contact. Maintain the original grip geometry so the hand appears to be holding the enlarged item naturally. Fingers should remain attached to the same contact points, resting against surfaces or curling around existing edges, handles, rims, and straps. Add subtle pressure cues and realistic contact shadows where skin meets the enlarged object. The item must look physically supported rather than suspended in midair.
PHYSICAL INTEGRATION AND LIGHTING
Match the scene’s original lighting conditions. Follow the same direction, softness, intensity, and color temperature as the existing light. Create believable cast shadows on nearby skin, clothing, walls, floors, and other surfaces. Introduce restrained reflected color where the enlarged object would naturally influence its surroundings.
Respect the original camera perspective and depth of field. The enlarged object may sit slightly forward in the scene, with edge sharpness consistent with its apparent distance from the camera. Match the source image’s grain, contrast, lens characteristics, and color treatment. Blend every edge naturally, avoiding halos, cutout outlines, or compositing artifacts.
An enlarged object may overlap the person’s torso or extend beyond the frame if necessary, but it must never obscure the face.
LOCK EVERYTHING ELSE
Treat the source photograph as a fixed image. Preserve the person’s identity, facial expression, skin texture, hairstyle, eyewear, jewelry, clothing, body shape, pose, and limb positions. Retain the original background, scenery, furniture, vehicles, signage, worn accessories, and all other objects at precisely their original scale and position. Keep the original framing and aspect ratio. Do not beautify, retouch, smooth, or otherwise alter the subject.
STRICT EXCLUSIONS
Do not create additional hands, fingers, arms, limbs, people, or detached body parts. Never change the size or position of any hand. Do not enlarge background objects or items that are not actively held. Do not leave a duplicate of the original object at its former size. Avoid floating objects, missing contact shadows, inconsistent illumination, warped geometry, stretched proportions, artificial edge halos, altered faces, changed outfits, fabricated labels, garbled lettering, cartoon styling, CGI aesthetics, and watermarks.
The finished image must resemble an authentic photograph of an ordinary person holding a physically enormous version of their original object, with realistic lighting and convincing physical contact. Everything except the selected held object or objects must remain faithful to the source photograph.
Made on OpenArt. Model used: Google Nano Banana 2.1
Prompt to turn your photos cinematic:
Enhance the photograph with a polished, cinematic finish while preserving the authenticity of a real travel photo. Bring out rich, natural greens, subtle golden highlights, clear blue skies, true-to-life skin tones, and balanced neutral shadows. Avoid excessive warmth, artificial orange hues, or oversaturated colors. Improve tonal depth, highlight and shadow detail, fine textures, and overall clarity for a crisp, modern smartphone-photography aesthetic. Keep the lighting believable, the colors refined, and every detail naturally realistic. Preserve the original composition, subjects, and environment without adding or altering elements. The final result should look like a genuine photograph captured on a premium iPhone camera, not an AI-generated image or digital artwork.
Made on OpenArt. Model used: Nano Banana 2.1.
Image 1:
Create an exceptionally realistic travel photograph of a whitewashed cliffside villa in Oia, Santorini, Greece, overlooking the deep-blue Aegean Sea. The main subject is a sleek infinity pool built directly into the edge of the caldera, with the pool’s waterline visually merging with the distant sea. A traditional blue-domed church and tightly clustered white buildings appear naturally along the hillside in the background. Photograph the scene from a slightly elevated terrace viewpoint, with the pool occupying the lower foreground, the architecture forming the middle ground, and the uninterrupted sea and horizon providing depth. Late-afternoon Mediterranean sunlight creates soft, believable shadows along the white plaster walls and subtle reflections on the water. Natural white limestone textures, authentic Greek architecture, realistic proportions, restrained blue-and-white color palette, accurate perspective, genuine high-end travel magazine photography. No exaggerated saturation, artificial glow, impossible architecture, or synthetic-looking surfaces. Vertical 9:16 composition, no text, no watermark.
Image 2:
Create a highly realistic aerial drone photograph of a secluded overwater villa in the Maldives. A single elegant timber bungalow with a natural thatched roof sits at the end of a narrow wooden jetty above a crystal-clear turquoise lagoon. The water transitions naturally from pale aqua over shallow white sand to deep teal over the reef, with subtle underwater coral formations visible through the surface. Photograph from a moderately elevated oblique angle rather than a flat overhead view, allowing the villa, jetty, underwater terrain, and distant ocean to create distinct layers. Strong tropical midday sunlight reveals the real textures of the wooden decking and thatched roof, while small ripples produce believable variations in water reflections. Accurate coastal geography, realistic water transparency, natural tropical colors, premium destination photography captured by a professional drone photographer. No floating structures, distorted rooflines, oversaturated water, or artificial-looking coral. Vertical 9:16 composition, no text, no watermark.
Image 3:
Create a realistic street-level travel photograph of a narrow traditional street in Kyoto, Japan, just after a light autumn rain. Dark wooden machiya townhouses line both sides of the lane, with understated paper lanterns beneath traditional tiled eaves. A few crimson Japanese maple leaves rest on the wet stone pavement, while additional red and amber foliage frames the upper edge of the composition. The street narrows naturally toward a distant traditional wooden doorway, creating strong visual depth and a clear vanishing point. Soft overcast daylight mixes with the gentle warm glow of the lanterns, producing subtle reflections on the damp stones without turning the street into a mirror. Authentic Japanese architectural details, weathered timber, realistic stone surfaces, restrained autumn colors, natural exposure, candid professional travel photography. Avoid fantasy architecture, excessive lanterns, theatrical fog, and oversaturated reds. Vertical 9:16 composition, no readable signs, no text, no watermark.
Image 4:
Create an exceptionally realistic alpine travel photograph of a small contemporary timber-and-glass cabin on a rugged ridge in the Swiss Alps. The cabin occupies the lower-right portion of the frame, anchored naturally into rocky mountain terrain, with floor-to-ceiling windows reflecting the surrounding peaks. Behind it, immense snow-covered mountains rise above a dense sea of clouds filling the valley below. Photograph from a nearby elevated slope using a natural wide-angle perspective that preserves believable mountain proportions and emphasizes the enormous landscape. Early morning sunlight touches only the highest mountain ridges, while the cabin and foreground remain in cool, soft ambient light. Realistic snow accumulation, exposed rock, subtle window reflections, natural atmospheric haze, and physically plausible cloud formations. The image should resemble a photograph captured by an experienced alpine landscape photographer, not a fantasy architectural rendering. No floating cabin, impossible overhangs, excessive clarity, or artificial HDR. Vertical 9:16 composition, no people, no text, no watermark.
Image 5:
Create a photorealistic travel photograph of an infinity pool at a secluded resort in Bali, Indonesia, overlooking a vast tropical jungle valley. The dark emerald pool occupies the foreground, with its straight far edge aligning naturally with the layered green hills beyond. Dense palms, banana leaves, and mature tropical trees fill the valley, with a thin veil of morning mist gathering between distant ridges. A restrained section of natural stone pool decking and a timber pavilion appears along one side, providing scale without competing with the landscape. Photograph from a low standing viewpoint near the water’s edge, using the pool as a leading line into the valley. Soft early-morning light creates natural tonal variation across the foliage, while the water reflects the sky and surrounding vegetation with realistic distortion. Botanically plausible plants, detailed leaf textures, authentic tropical humidity, natural greens, professional resort travel photography. No oversized fantasy leaves, artificial neon-green foliage, excessive mist, or impossible pool geometry. Vertical 9:16 composition, no people, no text, no watermark.
Image 6:
Create a realistic professional travel photograph of Positano on Italy’s Amalfi Coast, viewed from a natural elevated position overlooking the village and Mediterranean Sea. Closely spaced pastel buildings descend along the steep hillside toward a small crescent-shaped beach. Their varied heights, weathered plaster facades, terracotta roofs, narrow stairways, and green terraces create an intricate but believable architectural pattern. The deep-blue sea fills the lower distance, with a few small boats positioned naturally offshore. Frame the scene through a subtle foreground of sunlit stone balustrade and climbing bougainvillea, creating depth without obstructing the village. Late-afternoon sunlight illuminates the facades from the side, producing realistic shadows between buildings and natural variations in warm peach, cream, and pale-yellow tones. Accurate Mediterranean architecture, realistic hillside perspective, authentic coastal geography, restrained colors, editorial travel photography. Avoid oversized buildings, duplicated windows, unnaturally vivid colors, and miniature-looking scenery. Vertical 9:16 composition, no text, no watermark.
Image 7:
Create a realistic luxury travel photograph of a secluded contemporary desert retreat in Dubai, surrounded by rolling golden sand dunes. A low, elegant sandstone villa with shaded openings and a flat roof is the primary subject, positioned off-center so the surrounding desert remains prominent. A narrow reflecting pool runs parallel to the building, mirroring the warm sky and clean architectural lines. Fine wind-shaped ripples cover the foreground dunes, while a distant line of rugged mountains sits beneath a pale, cloudless sky. Photograph from a low three-quarter viewpoint near the sand, using the gentle curve of the foreground dune to lead toward the villa. Late-afternoon sunlight creates long, physically believable shadows and reveals subtle differences in the sand’s color and texture. Authentic desert materials, realistic architectural scale, natural atmospheric perspective, understated luxury hospitality photography. No giant artificial dunes, floating buildings, mirror-like sand, or excessively orange color grading. Vertical 9:16 composition, no people, no text, no watermark.
Image 8:
Create a dramatic yet entirely believable landscape photograph of Iceland’s southern coastline, where a tall waterfall drops from a green, rugged cliff toward a broad black volcanic sand beach. The waterfall is the main focal point, positioned slightly above the center of the frame, while dark basalt formations and a narrow strip of wet sand create a strong foreground. Gray Atlantic waves roll diagonally toward the shore, leaving delicate white foam against the black sand. Low clouds cling to the upper cliffs, and fine ocean mist softens the distant coastline. Photograph from a safe elevated position on the beach with a natural wide-angle perspective. Soft stormy daylight preserves detail in the dark rocks and white water without artificial HDR. Realistic waterfall spray, accurate wave behavior, naturally weathered basalt, authentic Icelandic vegetation, restrained cinematic color. No impossible waterfalls, oversized waves, fantasy cliffs, or excessive fog. Vertical 9:16 composition, no people, no text, no watermark.
Image 9:
Create a photorealistic sunrise travel photograph of Cappadocia, Türkiye, showing colorful hot-air balloons floating above the region’s distinctive fairy-chimney rock formations. One large balloon appears prominently in the upper-right area of the frame, while several smaller balloons recede naturally into the distant valley, establishing scale and depth. The foreground contains weathered volcanic rock towers and a few traditional cave dwellings integrated into the landscape. Low golden sunlight grazes the rock formations from the side, revealing their eroded surfaces and casting long, soft shadows. A pale peach and blue morning sky provides enough contrast for the balloon silhouettes without appearing artificially saturated. Realistic balloon shapes, plausible distances and sizes, accurate volcanic geology, natural atmospheric perspective, professional landscape and travel photography. Avoid overcrowded balloons, duplicated shapes, impossible rock formations, and exaggerated fantasy colors. Vertical 9:16 composition, no text, no watermark.
Image 10:
Create a highly realistic aerial travel photograph of Bora Bora, French Polynesia, capturing the contrast between its clear turquoise lagoon and the lush volcanic peak of Mount Otemanu. In the foreground, a short line of traditional overwater bungalows extends from a narrow palm-covered shoreline above shallow water. The lagoon transitions naturally from pale turquoise near the sand to deeper blue farther offshore, while the island’s green slopes rise dramatically in the background. Photograph from an oblique aerial angle, not directly overhead, so the bungalows, lagoon, shoreline, and mountain remain visually distinct. Bright tropical daylight creates natural highlights on the water and soft atmospheric haze around the distant mountain. Realistic coastal geography, plausible reef patterns, natural vegetation, accurate water transparency, premium destination photography. Avoid artificial neon-blue water, oversized bungalows, distorted mountains, and exaggerated saturation. Vertical 9:16 composition, no text, no watermark.
Image 11:
Create an exceptionally realistic architectural travel photograph of a traditional riad courtyard in Marrakech, Morocco. A small rectangular plunge pool lined with intricate turquoise zellige tiles sits at the center of the courtyard, surrounded by warm terracotta walls and finely carved plaster arches. A mature orange tree grows beside the pool, its leaves casting delicate, irregular shadows onto the tiled floor. Traditional cedarwood doors and handcrafted brass lanterns add detail along the perimeter without overwhelming the central composition. Photograph from a standing position beneath a shaded arcade, framing the courtyard through one foreground arch to create a natural sense of depth. Soft sunlight enters from the open rooftop, illuminating the water and parts of the walls while leaving the foreground in gentle shade. Authentic Moroccan craftsmanship, individually varied handmade tiles, realistic plaster imperfections, natural light falloff, restrained earthy colors. No impossible symmetry, plastic-looking surfaces, excessive ornamentation, or synthetic glow. Vertical 9:16 composition, no people, no text, no watermark.
Image 12:
Create a photorealistic nighttime street photograph in Manhattan, New York City, shortly after rainfall. A single classic yellow taxi drives through the foreground on wet asphalt, becoming the main focal point against the vertical canyon of surrounding buildings. Reflections from traffic lights and illuminated windows stretch naturally across the uneven pavement. Tall contemporary buildings frame the street, with a few older stone facades visible at street level. A subtle plume of steam rises from a roadside vent farther down the block, partially illuminated by streetlights. Photograph from a pedestrian’s eye level using a 35mm-equivalent perspective, with the taxi in sharp focus and distant traffic slightly softened by atmospheric depth. Mixed urban lighting produces believable warm highlights and cool shadows, with realistic wet surfaces and restrained color. No futuristic skyscrapers, excessive neon, illegible artificial lettering, or exaggerated reflections. Vertical 9:16 composition, no text overlay, no watermark.
Image 13:
Create a photorealistic luxury travel photograph taken from the forward deck of an elegant white motor yacht cruising slowly along Italy’s Amalfi Coast. The yacht’s clean white bow and warm teak decking occupy the lower foreground, providing a clear sense of perspective without dominating the frame. Ahead, a secluded turquoise cove sits beneath steep limestone cliffs dotted with authentic Mediterranean villages, terraced gardens, and clusters of cypress trees. The coastline curves naturally toward the distant horizon, creating a strong visual lead into the scene. Late-afternoon sunlight illuminates the cliff faces and produces subtle, irregular reflections on the moving sea. Include small natural ripples around the yacht and realistic surface details on the teak and white fiberglass. The result should resemble an authentic photograph taken by a luxury travel photographer aboard a real yacht, with believable scale, perspective, and Mediterranean colors. Avoid oversized yachts, distorted railings, artificial turquoise water, and overly polished CGI surfaces. Vertical 9:16 composition, no people, no text, no watermark.
Made on OpenArt. Model used: Google Omni.
Reference image:
Photorealistic portrait of a burly man in his mid-60s, shaved head, short white beard, deep-set grey-blue eyes, heavy brow, weathered tan skin with deep laugh lines and crow’s feet, a faint scar on his chin. Wearing a worn tan canvas chore coat over a grey t-shirt. Stern, guarded expression, direct eye contact. Shot on a cinema camera, 85mm lens, soft window light, neutral background. Hyperrealistic skin texture, visible pores, natural catchlight, 9:16 vertical.
Video:
0:00–0:03 — Low-angle tracking shot at ankle height, camera retreating backward ahead of him (steadicam feel), 24mm equivalent, f/2. His boots stride across polished concrete, the pink gift bag swinging at the frame edge. Soft-focus arrivals hall behind: glass wall, golden sun, a family hugging in the distance. Diegetic: boots on concrete, suitcase wheels, a distant PA chime.
0:03–0:06 — Continuous tilt-up as the camera keeps retreating: jeans, canvas chore coat, pink bag, phone pressed to his ear, then his face with aviator sunglasses. Backlit rim light on his head, soft lens flare off the glass. At 0:04 a stranger’s backpack shoulder crosses the foreground, with a rack focus from the shoulder to his face. He mutters into the phone, low and gravelly: “Yeah. I’m walking right at you.”
0:06–0:08 — Medium shot, eye level. He slows and stops, head tilting as if he’s spotted someone. The crowd murmur dips and a muffled announcement drifts in.
0:08–0:10 — Whip-push (fast dolly-in) to an extreme close-up on his mirrored aviators. In the reflection, a small blurred silhouette of a young woman waving, holding a phone. He lifts the aviators onto his forehead: extreme close-up on his eyes, crow’s feet, glassy and wet. Motion blur on the push.
0:10–0:12 — POV shot at a Dutch angle. A hand holding a phone enters the foreground, screen lit with an incoming call labeled “OLD MAN.” Behind it, in soft focus, he lowers his own phone from his ear. Foley: phone buzz and ringtone, cut off as he lowers it.
0:12–0:14 — Rack focus from the phone to him as it drops out of frame. He lifts the pink bag with a sheepish shrug and opens his free arm wide: “Hi, kiddo.” His gruff face breaks into a grin.
0:14–0:15 — Hold, then a slow pull-back to a wide as the bag swings and the family reunion plays out behind him. Freeze for the end card.
Technical: 9:16 vertical, 24fps, shallow depth of field, natural film grain, warm golden key through the glass against cool concrete shadows, stabilized steadicam throughout, no handheld shake.
Music score:
Airport ambience only for the first 6 seconds, with a single low cello note creeping in at 0:03. A gentle upward string swell on the whip-push at 0:08. On “Hi, kiddo,” it resolves into a warm, simple solo piano melody over a light string bed, held to the end. Restrained, not syrupy.
SFX cues:
0:00–0:06: boots on polished concrete, rolling suitcase wheels, distant PA chime, crowd murmur
0:03–0:05: faint reunion laughter and cheers in the background
0:04: fabric brush as the stranger’s backpack passes
0:08–0:09: whip-push whoosh
0:10–0:12: phone buzz and ringtone, cut off
0:12–0:14: tissue-paper rustle from the gift bag, a soft exhale
Made on Pixverse. Model used: Pixverse v6. Voice created on Elevenlabs.
Made on Pixverse. Model used: Pixverse v6.
Reference image:
Photorealistic cinematic still, shot on a cinema camera, 35mm lens, f/2.8. Interior of a cluttered suburban garage lit by a single overhead fluorescent tube with a cool green-white cast. Shelves of paint cans, a rusted push lawnmower, a child’s bicycle hanging on the wall, cardboard boxes. A tired-looking man in his early 40s with short dark hair showing a few grey strands, two-day stubble, dark circles under his eyes, wearing a faded grey hoodie, worn jeans and mismatched socks (one grey, one navy), no shoes. He holds a chipped white ceramic mug and stands facing a closed white roll-up garage door, head turned toward the camera with a tired half-smile. A thin line of warm teal light leaks along the bottom edge of the door, rippling faintly like light through water. Hyperrealistic skin texture, visible pores, natural catchlight, subtle film grain, 9:16 vertical.
Video:
0:00–0:02 — Static eye-level medium wide, 35mm equivalent. Practical fluorescent lighting, cool and flat. The man faces the closed roll-up door, mug in hand, then glances to camera with a small “come on” tilt of the head. On-screen text: the hook. Diegetic: fluorescent hum, a distant lawn mower.
0:02–0:04 — Slow dolly-in on his face as he presses the wall-mounted opener. The door begins to rise. Water-caustic light ripples across his face and the shelves, the first hint of what’s outside. Foley: button click, chain-drive motor rumble, rolling metal.
0:04–0:07 — Over-the-shoulder shot from behind him as the door clears. Tilt up from the cobblestones to the underside of the ocean overhead, rack focus from his shoulder to the whale. The man says in a low, dry, unimpressed voice: “Huh.” Chiaroscuro: warm sunbeams against cool shade.
0:07–0:09 — Low-angle tracking shot at ankle height following his socks across the threshold from concrete onto wet cobblestone. Sea ambience begins a half-second before the cut (J-cut).
0:09–0:12 — Worm’s-eye wide as the whale glides across the ocean-sky, its shadow sweeping over the village and him. He raises the mug in a small toast. Slow crane-up. Foley: low, resonant whale song with long reverb.
0:12–0:14 — Medium close-up on his face, awe settling into dry resignation. He takes a sip, glances back at the dim garage, then to camera and says: “Dinner’s at six.”
0:14–0:15 — Pull-back to a wide of him small in the vast world, whale passing overhead. Hold. End text: Comment “PROMPT” (keep it above the caption zone).
Technical: 9:16 vertical, 24fps, natural film grain, cool teal garage vs. warm golden exterior color contrast, stabilized camera throughout.
Music score:
No music for the first 2 seconds, only room tone. A low sub-bass swell as the door lifts (0:02). When the world is revealed (0:04), a warm, wonder-filled bed of soft piano and sustained strings, gentle and unhurried. It drops to a single low pizzicato pluck on “Dinner’s at six,” then holds quietly to the end.
SFX cues:
0:00–0:02: fluorescent hum, distant lawn mower
0:02–0:04: button click, chain-drive motor, rolling door metal
0:03–0:05: soft shimmering water-caustic swell
0:05–0:15: sea ambience (harbour water lapping, rope creaking on boats, distant bell buoy, gulls)
0:07–0:09: socks on wet cobblestone
0:09–0:12: whale song
0:12–0:13: mug sip
Made on OpenArt. Model used: Google Omni.
Reference image:
Photorealistic portrait of a man in his early 60s, weathered tan skin with deep laugh lines, short grey stubble, kind blue eyes, wearing reading glasses pushed up into thinning silver hair. Medium build, broad shoulders. Wearing a red-and-black flannel shirt, sleeves rolled to the forearm. Neutral warm expression, direct eye contact with camera. Shot on a cinema camera, 85mm lens, soft natural window light, plain neutral background. Hyperrealistic skin texture, visible pores and fine wrinkles, natural catchlight, 9:16 vertical.
Video:
0:00–0:01 — Static medium shot, rustic farmhouse kitchen, warm golden light. The man (reference image) stands at the stove, cast-iron skillet of eggs sizzling. On-screen text fades in: “This guy doesn’t exist.”
0:01–0:03 — He lifts the “Gramps’ Fire” bottle and pours a generous splash over the eggs, grinning, steam rising. Diegetic: sizzle, light splash of sauce, steam hiss. On-screen text updates: “Neither does this sauce.”
0:03–0:05 — Cut to a close-up: he tastes a bite straight off the spatula, eyes widening in mock surprise, laughing. Diegetic: soft laugh, pan clinking.
0:05–0:06 — Hold on his grin, text fades in: “Built entirely with AI. Here’s how 👇”
Technical: 9:16 vertical, 24fps, warm natural kitchen lighting, natural film grain, locked-off opening shot with a gentle push-in through the pour.
Music score:
Warm, homely acoustic guitar, simple and unhurried, present throughout at low volume.
SFX cues:
Skillet sizzle + steam hiss (0:00–0:03) → sauce splash (0:01–0:02) → spatula/pan clink + soft laugh (0:03–0:05).
Reference image:
Photorealistic product-reveal photograph: a sleek personal watercraft with a built-in reclining leather massage chair mounted at the front, visible internal massage rollers through a clear acrylic side panel, chrome handlebars with a small digital display. The watercraft sits docked at a calm lake at golden hour, warm low sunlight reflecting off the water. A man in swim shorts stands on the wooden dock nearby, mid-stride, mouth open in delighted disbelief, pointing at the chair. Hyperrealistic detail, sharp reflections, shallow depth of field, cinematic color grade, 9:16 vertical.
Video:
0:00–0:02 — Static wide shot, eye-level, dock and watercraft in frame. Warm golden backlight, lens flare off the water’s surface. The man on the dock jogs into frame, spotting the chair, reacting with open-mouthed delight.
0:02–0:04 — Cut to medium shot: the rider settles into the reclining chair, leans back, closes his eyes as the visible rollers engage — subtle whir of the massage motor as diegetic foley. Tracking shot, camera gliding alongside at water level.
0:04–0:07 — The watercraft pulls away from the dock, rider fully reclined, one hand loose on the handlebar, completely at ease. Camera does a slow tracking pan, staying level with the hull as it cuts a smooth wake across the lake. Diegetic: engine hum, water splashing, distant birdsong.
0:07–0:09 — Cut to a close-up insert shot on the rider’s face — pure contentment, eyes still closed, head gently vibrating with the massage rollers. Soft rim light from the low sun.
0:09–0:10 — Wide shot pull-back, the watercraft shrinking into the golden-hour horizon, wake trailing behind. Hold for the end card.
Technical: 9:16 vertical, 24fps, warm golden-hour color grade, natural film grain, smooth stabilized camera throughout — no handheld shake.
Music score:
Light, breezy acoustic guitar with a laid-back, summery feel — think a beer commercial, not a tension build. Starts soft under 0:00, swells slightly as the watercraft pulls away at 0:04, stays warm and relaxed throughout, no drops or builds.
SFX cues:
dock ambience + birdsong (0:00–0:02) → massage roller motor whir, soft and mechanical (0:02–0:04) → watercraft engine hum + water splash (0:04–0:07) → rollers continuing softly under a contented exhale (0:07–0:09) → engine fading into distance (0:09–0:10).
Reference image:
First-person POV shot of two tanned, weathered male hands gripping a fishing rod and spinning reel, index finger resting lightly on the line. Monofilament fishing line stretches taut into the distance across a calm turquoise lake at golden hour. Pine-covered mountains reflected in still water, soft mist rising off the surface. Warm late-afternoon sunlight, lens flare on the water’s surface. Cinematic, high detail, realistic, shallow depth of field on the hands and reel, background softly blurred. 9:16 vertical.
Video:
0:00–1.5s — Locked POV on the hands and taut line. Diegetic: faint line creak, calm lake ambience. The man mutters, low and annoyed: “…of course.”
1.5–2.5s — Hard reel crank, diegetic foley: sharp mechanical click-whir.
2.5–3s — Line snaps taut; match-cut push as the line becomes the camera’s track, yanking into a backward hyperlapse retraction.
3–5.5s — Hyperlapse pull through a vivid coral reef, fish scattering, light shafts piercing from above. Continuous whoosh, low-pass filtered for underwater muffle.
5.5–8s — Pull continues up through a roaring jungle waterfall, mist streaking past. Whoosh thickens with a wet, heavy roar undertone.
8–10.5s — Rockets across a glacier-blue alpine lake ringed by jagged peaks. Whoosh thins, cold wind whistle layered in.
10.5–12.5s — Beneath a shimmering aurora over an arctic ridge, teal and violet light washing the frame. Whoosh drops to a low, resonant sub-bass hum.
12.5–14s — Retraction slows hard into a landing on a lakeside cabin porch. The man sits in a rocking chair, two plates of grilled fish already out, raising a bottle in greeting. Non-diegetic acoustic guitar swells in; diegetic porch creak, distant loon call.
14–15s — Hold on his smile. Clean white end-text fades in: “Follow for more.” Soft acoustic continues under.
Technical: 9:16 vertical, 24fps, cinematic color grade, natural film grain, locked camera on static beats, continuous motion-blur hyperlapse on transitions.
Music score:
Sparse acoustic fingerstyle guitar under the opening 1.5s, dropping out almost entirely through the hyperlapse (0:3–12.5s, letting the whoosh design carry it), swelling back in warmly at the porch landing (12.5s) and holding under the end card.
SFX cues:
lake ambience + line creak (0–1.5s) → reel crank click-whir (1.5–2.5s) → line-snap zip (2.5–3s) → underwater muffled rush (3–5.5s) → waterfall roar + wind (5.5–8s) → thin cold whistle (8–10.5s) → sub-bass hum + shimmer (10.5–12.5s) → porch creak + loon call + glass clink (12.5–14s).
Reference images:
Hyperrealistic frontal portrait photograph, a young Black woman in her early 20s with short natural coily hair, warm brown skin with visible freckles across her nose, small gold hoop earrings, neutral calm expression, direct eye contact with the camera. Shot on a cinema camera, 85mm lens, natural outdoor daylight, soft falloff, blurred street background. Hyperrealistic skin texture, visible pores, natural catchlight in the eyes, 9:16 vertical.
Hyperrealistic frontal portrait photograph, a young East Asian woman in her early 20s with blunt-cut bangs and a patterned headscarf, dark red lipstick, a small pendant necklace, neutral calm expression, direct eye contact. Shot on a cinema camera, 85mm lens, soft overcast daylight, blurred urban street background. Hyperrealistic skin texture, fine facial hair visible, natural catchlight, 9:16 vertical.
Hyperrealistic frontal portrait photograph, a white man in his mid-20s wearing a green dad cap, visible neck tattoo, light stubble, neutral calm expression, direct eye contact. Shot on a cinema camera, 85mm lens, natural daylight, blurred storefront background. Hyperrealistic skin texture, visible pores and faint under-eye shadows, natural catchlight, 9:16 vertical.
Hyperrealistic frontal portrait photograph, a South Asian man in his 30s with short black hair and a light beard, wearing a collared shirt, warm skin tone, neutral calm expression, direct eye contact. Shot on a cinema camera, 85mm lens, golden-hour sidelight, blurred residential background. Hyperrealistic skin texture, visible pores and fine lines, natural catchlight, 9:16 vertical.
Hyperrealistic frontal portrait photograph, a white woman in her late 20s with wavy auburn hair, light freckles, wearing a delicate layered necklace, neutral calm expression, direct eye contact. Shot on a cinema camera, 85mm lens, soft natural window light, blurred interior background. Hyperrealistic skin texture, visible pores and natural lip texture, natural catchlight, 9:16 vertical.
Video (use across all images):
Camera completely locked: no push, no pan, no zoom, no drift. Subject holds direct eye contact with the lens for the full duration. The only movement is involuntary and human: one slow, natural blink occurring once somewhere between 0:00 and 2:00, a faint breathing rise and fall in the shoulders, and one or two fine flyaway hairs stirring almost imperceptibly, as if in a faint indoor draft. Skin retains subtle, continuous micro-shifts in specular highlight as the head holds still, with only the barest involuntary postural sway — no head turn, no expression change. Background stays static and softly out of focus throughout.
Technical: locked-off, tripod-stable, no motion artifacts or warping, natural film grain, 9:16 vertical, 24fps.
No audio.
Reference image:
Photorealistic cinematic still, shot on a cinema camera with shallow depth of field. Inside a small, old-fashioned barbershop with worn leather chairs, a vintage mirror, and warm tungsten lighting. A barber in a white apron, sleeves rolled up, focused expression, carefully holds an open straight razor against the jaw of a seated customer draped in a barber’s cape, mid-shave, steady and precise. Through the large front window behind them, a massive three-legged alien war machine strides down the street outside, crushing a parked car underfoot, dust and debris filling the air, warm orange emergency light flickering across the glass. Neither man reacts. Hyperrealistic skin and fabric texture, natural film grain, cinematic warm-and-cool color contrast between the cozy interior and the chaos outside, 9:16 vertical.
Video:
0:00–0:01 — Static eye-level medium two-shot, barber and seated customer, straight razor poised mid-stroke at the jawline. Chiaroscuro setup: warm practical key light from an interior wall sconce (camera left), cool blue ambient spill through the front window (camera right) where the tripod looms in soft focus. Shallow depth of field, 50mm equivalent, f/2.
0:01–0:03 — Slow dolly-in toward the barber’s hand and the customer’s jaw. Rack focus shifts from the barber’s eyes to the razor’s edge as it glides. Diegetic foley: steel scraping against stubble, a ceiling-fan hum, a wall radio murmuring low. Through the window, out of focus, the tripod plants a leg — foley: a deep, undercranked impact thud, windows rattling in sympathetic vibration.
0:03–0:05 — Hold on the rack-focused extreme close-up: razor gliding clean through the lather. Practical lighting flickers once, as if a nearby impact browned-out the circuit. Low non-diegetic string drone creeps in underneath. Background stays a soft cutaway blur: a car flips in silence, a billboard strut buckles — foley: muffled glass shatter, a distant groan of bending metal.
0:05–0:07 — Brief rack focus shift to the window: the tripod resolves into sharp silhouette for a beat, towering over the street, dust sheeting off its frame as it strides — foley: a car alarm wailing and cutting out, structural groaning, glass raining onto pavement. Then rack focus snaps back to the foreground, soft-blurring the chaos again. Non-diegetic drone swells a half-step higher.
0:07–0:09 — The barber completes the stroke, lifts the razor, and wipes the blade clean on a folded cloth draped over his shoulder — unhurried, precise. Diegetic foley: the soft snap of the cloth, a faint metallic ring as the razor is set down on a tray. Drone holds at its peak tension, unresolved.
0:09–0:10 — Micro push-in to a match-cut-ready close-up on the barber’s eyes — calm, unreadable. The non-diegetic drone cuts out sharply, leaving only the clean diegetic click of the razor settling into its tray as the final beat. No handheld shake anywhere — locked, stabilized camera throughout.
Technical: 9:16 vertical, 24fps, natural 35mm film grain, cinematic color grade — warm interior vs. cool exterior chiaroscuro contrast held throughout.
Music score:
Minimal tension score: a single sustained low string drone (cello/double bass section), starting near-silent under 0:00–0:03, rising in volume and adding a second harmonic layer (viola, dissonant interval) at 0:03, introducing a slow, irregular low piano pulse at 0:05 timed loosely against the tripod’s footfalls, peaking in density and volume at 0:07–0:09, then a hard, total cutout at 0:09 leaving dead silence except diegetic sound. No melody, no percussion — pure dread-building drone and dissonance. Think the score of a slow-burn A24 thriller, not an action trailer.
SFX cues:
0:00–0:01 — “Soft ceiling fan hum, low and steady, interior ambience” (ambient bed, loops under full scene)
0:01 — “Straight razor scraping against wet stubble, close and intimate, wet foam texture”
0:02 — “Old radio murmuring faintly in the background, muffled voice, barely audible”
0:02–0:03 — “Deep mechanical footstep impact, heavy and slow, glass windows rattling in sympathetic vibration”
0:03–0:04 — “Electrical flicker and brief brownout crackle, single pop”
0:05–0:06 — “Car alarm wailing then abruptly cutting to silence”
0:06 — “Structural metal groaning and bending under heavy stress, distant”
0:06–0:07 — “Glass shattering and raining onto pavement, distant and muffled”
0:07–0:08 — “Soft cloth snap, single crisp fabric flick”
0:08 — “Metal razor set down on a ceramic tray, light clink, close mic”
0:09–0:10 — “Clean steel scrape, single final stroke, intimate and dry, no reverb”